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  • Writer's pictureSteve

9.5 Weeks (1986)

The film follows the intense and seductive relationship between a Wall Street executive named John (Mickey Rourke) and an art gallery assistant named Elizabeth (Kim Basinger).

While the film was a commercial success upon its release, it has received mixed reviews from critics. Some have praised the film for its bold exploration of sexuality and the dynamics of power in relationships, while others have criticized it for its portrayal of a toxic and emotionally manipulative relationship.

One of the film's strengths is its visual style, which is dark and atmospheric, and its use of music to create a sensual and erotic atmosphere. Mickey Rourke gives a strong performance as John, a man who is both alluring and dangerous, and Kim Basinger is equally captivating as Elizabeth, a woman who is drawn to John despite his flaws.


However, the film's portrayal of the relationship between John and Elizabeth has been criticized for being one-sided and emotionally manipulative. John's behaviour is often controlling and abusive, and Elizabeth is portrayed as submissive and willing to endure his mistreatment. Some critics argue that the film romanticizes an unhealthy and potentially dangerous relationship, which could be harmful to audiences who may be influenced by its portrayal.


Additionally, the film has been criticized for its lack of character development, particularly with regard to Elizabeth's backstory and motivations. This makes it difficult for audiences to fully empathize with her and understand why she is drawn to John, which may detract from the emotional impact of the film.


Overall, "9 1/2 Weeks" is a visually striking film with strong performances, but its portrayal of a toxic relationship has been a source of controversy and criticism. While it may appeal to some viewers with its exploration of sexuality and power dynamics, it is important to approach the film with caution and recognize the potential harm that its portrayal of an abusive relationship could have on vulnerable audiences.


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